DARAE BAEK
  • 2022
  • SHE
  • Theatre
    • 나는 지금 여기(I’m here now)
    • 시각 에너지-영원한 기생을 위하여 ( Visual Energy for Eternal Parasitism)
    • 공상의 느낌 (2021), Ulsan, South Korea
    • 감각의 탄성 (2020), Ulsan, South Korea
    • A STRANGER IN THE ROOM (2020), UNIST
    • ["1989-20xx"]["시선과 가치의 괴물":"The Monster of Attention and Value" ]["2020"] (2020), Ulsan, South Korea
    • 'Language makes me an uncertain person’ (2019), Glasgow, Scotland)
    • honestly; a foreign substance in nature (2019),Glasgow, Scotland
    • THE TIDE (2018), Space and Scotland
    • Sound, Sound, Sound (2018), Glasgow, Scotland
    • CIRCUMSTANCES (2018), Glasgow, Scotland
    • EXISTENCE (2017), Fukuoka, Japan
    • ANAESTHESIA (2016), South KOREA
    • The Memories (2016), LONDON, UK
  • Contact & CV
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팽창하는 존재 (The Expanding Existence), 디지털 프린트, 천, 알루미늄, LED 조명, 270x140cm, 2021
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Cosmic Dust, 4K 단채널 영상, 사운드, 해드폰, 5분 52초, 2021
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존재를 전송합니다(Sending the Existence), 나무 구조물, 웹캠,  LED조명, 라즈베리파이, 아두이노, 2021 
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  • 2022
  • SHE
  • Theatre
    • 나는 지금 여기(I’m here now)
    • 시각 에너지-영원한 기생을 위하여 ( Visual Energy for Eternal Parasitism)
    • 공상의 느낌 (2021), Ulsan, South Korea
    • 감각의 탄성 (2020), Ulsan, South Korea
    • A STRANGER IN THE ROOM (2020), UNIST
    • ["1989-20xx"]["시선과 가치의 괴물":"The Monster of Attention and Value" ]["2020"] (2020), Ulsan, South Korea
    • 'Language makes me an uncertain person’ (2019), Glasgow, Scotland)
    • honestly; a foreign substance in nature (2019),Glasgow, Scotland
    • THE TIDE (2018), Space and Scotland
    • Sound, Sound, Sound (2018), Glasgow, Scotland
    • CIRCUMSTANCES (2018), Glasgow, Scotland
    • EXISTENCE (2017), Fukuoka, Japan
    • ANAESTHESIA (2016), South KOREA
    • The Memories (2016), LONDON, UK
  • Contact & CV